Statue of Father Serra Saved For Now

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Catholic youths heroically stop California mob from tearing down saint’s statue.

The young Catholics placed themselves between the vandals and the statue of Saint Junipero Serra located at Ventura city hall in California.

I found this article this morning and wanted to share it with you because I feel I have a personal connection to FATHER JUNIPERO SERRA. Many of you have read my story about the YELLOW MUSTARD SEED & THE CALIFORNIA MISSIONS, here, on my blog.

Also, my connection is closely tied to his birthplace, on the island of Majorca, which I visited a number of years ago. And the fact I was raised Catholic and attended Catholic school for 8 years. I have always had a love for our missions in California. I have toured many missions in my home state of California. My favorite is the one in SANTA BARBARA.

The news story goes like this:

VENTURA, California, June 25, 2020 (LifeSiteNews) –

group of courageous young Catholics surrounded the statue of a saint in

Ventura, California last Saturday, placing their bodies in between Junipero Serra

and the mob who wanted to tear him down.

The anti-Serra demonstrators had put out a call on social media for the June 20 event

that began at 1 PM. Calling the event “Tear down Junipero Serra,”

the demonstrators stated that

“No longer shall we celebrate the enslavement, rape,

and genocide of the original people of Ventura.”

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That same weekend, statues of Catholic saint Serra,

considered the founder of the California missions, were toppled

and defaced in San Francisco’s Golden Gate Park

and historic Olvera Street in Los Angeles.

Serra, a Spanish Franciscan missionary to the United States,

helped to found nine missions in California in the late eighteenth century.

He established the mission of San Buenaventura in 1782,

which is now present-day Ventura.

His statue was erected at city hall in 1936.

The current bronze statue was erected in 1989.

Pope Francis canonized him in 2015.

(meaning he is now a SAINT)

But, thanks to the saint’s new bodyguard of dozens of young Catholics, including a priest, the city’s Serra statue was not toppled. Padre Serra continued to gaze out over Ventura from his place in front of City Hall as the sun went down Saturday evening.

Prior to the 1 PM demonstration, dozens of pro-Serra activists had surrounded the statue to protect it from the vandals.

As the rally began, they stood quietly,

some holding signs reading “Save Serra,” some praying.

At Tumamait-Stenslie’s invitation, Father Tom Elewaut, pastor of the historic

Mission San Buenaventura, the final mission established by Junipero Serra, addressed the crowd and then joined pro-Serra activists at the base of the statue.

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As the rally officially ended, Rev. Elewaut blessed those gathered to protect the statue.

By about 4 PM, activists on both sides had dispersed.

The statue of Ventura’s founder remained, but its fate continues

to be uncertain as city officials, church leaders, and

tribal elders continue to negotiate its fate.

 

The bishops of California later in the week issued a carefully worded statement

expressing their disapproval of the tearing down of statues of the saint.

While Saturday’s victory may be only a temporary reprieve,

the Catholic young people went home that day knowing that they

had accomplished an important symbolic victory.

 

A change.org petition to save Ventura’s statue of Saint Junipero Serra 

has gathered thousands of signatures:  

“Fr. Serra Statue In Ventura:  We Must Preserve our History, and Learn from It.”

 

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By Barbara KisKis

June 27, 2020

Assignment: Venice Saga #8

It was Maria who was tired of Joseph’s antics and she wanted more

than what he was offering her. She felt ashamed of herself for falling

for his sad story of not wanting to be alone and he needed her to stay with him.

“Hogwash.”

Maria found herself talking out loud.

She was determined to find a better life; maybe that American, who Joseph keeps following day after day, night after night, might be interested in her and the information she could provide him.

Maria grabbed her shawl and bag and headed out the door to find the American.

( to be continued )

Assignment: Venice #7

Five months ago, Sam Houston, sat in Washington D.C. with

the Director of THE AGENCY, Robert Ryan, where they discussed

a new assignment forthcoming.

“Sam, I’ll telling you, its too risky for you to undertaken.”

“Has that ever stopped me in the past? No, it never will. I want this job.

I need this; I haven’t been given a project in over a year.”

“Sam, maybe you should think about retiring from field work, besides you are not as young as you used to be.”

“Damit, Robert, don’t lecture me on age and what I can do and can’t do

for this AGENCY. I’ve given my entire life to this place and won’t take no for answer.”

“You are pig headed, Mr. Houston, OK, I’ll agree to giving you this one job in the field if you agree to work with a few of our senior agents.”

“Who?”

“Carolyn Jamison plus others.”

“OK, I agree. Now get me what I need for the job.”

“What do you need?”

“You will have my list in the morning.”

Sam exited Robert Ryan’s office and headed to his hotel

to make the necessary arrangements.

( to be continued)

Assignment: Venice Saga #6

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Joseph Kuzmich, was a Russian agent, living in Venice for the past year and was well known in his homeland of Russia. He was a hero among his Army buddies. Joseph was living life large in Venice.

He has danced on tables at Oktoberfest and petted alpacas in the Andes. He prefers to eat at restaurants where the menu is in a language he can’t understand, and likes bars where the lighting is dim and the drafts are cheap.

His girlfriends were the best part of living in Italy. They were plentiful and eager to please. Maria was just one of many.

That evening, after following Sam through the square and then take a meal at a local restaurant, Joseph was dog tired. He was not as young as he once was, so a soft bed

a bottle vodka was a welcome to him in his hotel room, alone.

( to be continued )

Assignment: Venice #4

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After Carolyn left Sam, he headed to St. Mark’s Square.

He knew he could meet up with his contact without being noticed since the square was usually filled with tourist at this time of the day. Even if he was followed, he could easily shake the person. So far, everything was going according to plan.

Carolyn played her part well. Sam could always count on his best friend to add the drama he needed to accomplish this assignment.

Bravo, Carolyn.

( to be continued )

ASSIGNMENT: VENICE SAGA #3

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Sam and Carolyn rode in the gondola for half an hour without speaking. When Sam felt it was safe to talk to Carolyn, he spoke to her in French. This way they would not be heard by the gondola driver.

Sam continued his conversation to Carolyn and explained his assignment to her.

She was not surprised by his decision to take on that task. Sam lived in Venice for three years and got to know the people involved.

When the gondola arrived at their destination, Carolyn exited the boat

while Sam stayed seated.

“Sam, good luck, stay safe and I’ll be in touch.”

“Thank you, Carolyn. Tell James Hello for me. We will celebrate soon.”

Carolyn took one last look at Sam and smiled at him, hoping this was not his last assignment. He was moving into dangerous territory and they both knew it.

( to be continued )

ASSIGNMENT: VENICE SAGA #2

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As Sam and Carolyn stepped into a gondola, someone else was observing them from above.

“Joseph, why are you standing on the balcony drinking champagne this morning?”

“You know Maria, you ask too many questions. Go get dressed and get me the morning

newspaper.”

“Why, you don’t read Italian.”

“Did I say, get me an ITALIAN newspaper? Just get me the Moscow news and bring me

more champagne.”

“Oh, yes, sir, what ever you say.”

“Don’t get smart with me, I’ve got work to do today.”

Joseph hated it when Maria was in a foul mood.

( to be continued )

ASSIGNMENT: VENICE SAGA

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Sam Houston couldn’t believe his good luck; meeting up with Carolyn Jamison in Venice.

“Carolyn, you are the last person I expected to meet in Venice this morning.”

“Yes, I can’t believe you are back in Italy working.”

“I can’t turn down an assignment that pays me to sit and have coffee each morning

with this view.”

“So, you are working. Can you give me a little hint on what you are observing here?”

Sam laughed at Carolyn’s comment. “No, not even a little hint, my dear. You know the rules. Let’s go on a gondola ride and I’ll show you Venice.”

Carolyn had been to Venice a dozen of times, and knew her way around. She figured that Sam was up to something but what? She picked up her handbag off the table and said,

“I’m game, lead the way, Sam.”

( to be continued )

ART AND A MYSTERY

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Portrait of Dr Gachet (67.0 x 56.0 cm) was painted June 1890

by Vincent van Gogh

Portrait of DrGachet is one of the most revered paintings by the Dutch artist Vincent van Gogh. It depicts Dr. Paul Gachet, a homeopathic doctor and artist with whom van Gogh resided following a spell in an asylum at Saint-Rémy-de-Provence. Gachet took care of Van Gogh during the final months of his life.

Art Dealer, Theo van Gogh, brother of Vincent van Gogh
inherited the paintings from his brother Vincent.
He died Jan 25 1891, 6 month after his brother Vincent.

The painting remained in the Van Gogh family collection until 1897
when it was sold by Johanna van Gogh Bonger,
widow of Theo van Gogh
for 300 francs.
The buyer was a private art collector from Copenhagen.

LONG LINE OF OWNERS:

In 1904 it was bought by the German Art Dealer and editor Paul Cassirer
in 1904 again by Kessler
in 1910 by Galerie Druet.

1912 the Museum Städel, Francort bought the painting
under the initiative of Georg Swarzenski.
Swarzenski, the first director of the Liebieg House Museum
received financial backing from the Municipality of Frankfurt
and of Victor Mössinger.
For 21 years the painting was one of the prime art works of the Museum.

1933 Georg Swarzenski was hiding the painting inside the Museum
as he feared the new German Nazi regime might be a danger for it.
Hermann Göring, German Nazi Minister for Propaganda,
had heard about the painting
and in 1937 he confiscated it for his private collection.

With the help of his art adviser Josef Angerer
the painting was sold to Franz Koenigs for $53,000 .
It was immediately resold it to Siegfried Kramarsky.

The conditions of the sale are unclear and
object of disputes.

The collector Siegfried Kramarsky, owner of the Bank Lisser & Rosenkrantz
kept it in his house in Amsterdam.
1941 he took it along when fleeing to New York with his wife, Lola Kramarsky.

1984 the painting was lend to the Metropolitan Museum of Art.
May 15, 1990 the Kramarsky children
auctioned the painting at Christies.

May 15 1990 at around 7:45, the portrait debuted in front of a packed salesroom
at Christie’s auction house in New York.
The bidding started at a respectable $20 million and rose swiftly in increments of $1 million,
as if would-be buyers were proffering Monopoly money.
48 million, 49 million, 50 million . . . .
The room erupted in shouts and applause; bidding was furious.
73 million, 74 million, 75 million . . . .
The gavel finally came down, making art-world history.
An unassuming Tokyo art dealer acquired Portrait of Dr. Gachet on behalf of an unknown client,
for a total of $82.5 million ($75 million, plus a 10 percent buyer’s commission).
The record auction price topped the previous champion,
van Gogh’s Irises,
by some $30 million.

The buyer was the Japanese Business man Ryoei Saito,
chairman of the Daishowa Paper Manufacturing Company.

Early next morning Tokyo time, Ryoei Saito, the head of Japan’s second largest paper manufacturing company, proudly announced that the Van Gogh was his. It had, he said, cost almost double what he had expected, but added: ‘It’s my principle to get what I want, no matter how much money it costs.’

Ryoei Saito caused a scandal when mentioning
that after his death, he wanted to be buried with the painting.

Since 1996, the death of Ryoei Saito,
the location of the painting is a mystery.
No one in the international art world seems to know where it is.
It might still be in Tokyo, acquired by one of the financial institutions

from whom Saito had borrowed money.

It continues to be a mystery.

Maybe, someday, we will be able to view this masterpiece in person.

One  can dream.

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WRITER’S NOTES:

So, you can read, the painting went through many hands

over the years. Everyone who had the VAN GOGH painting

made money off the art piece. Sad to think that Vincent died alone in

an asylum, broke and without friends except for his brother THEO.

I have to admit, Vincent van Gogh, is one of of my favorite artists.

On one of my visits to AMSTERDAM, I spent an afternoon

at THE VAN GOGH MUSEUM. It was an unforgettable experience.

I started the tour with a girl friend, who ended up abandoning me

at the museum because

she was bored….what?

I found out that you can expect all people to love art as much as I do.

I continued wandering through this wonderful museum alone…now, feeling

like Vincent himself, at the end.

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BARBARA KISKIS

June 10, 2020